Loyola Enterprises

A veteran and minority owned SDB Certified Business.

Sanctuary Series















Sanctuary Series S-32


757.498.6118 Ext - 109S-32 - Call for pricing - 32-channel Mixer

Downloads

PDFS-32 Manual (pdf)


The Sanctuary Series S-32 is a 32-channel mixer designed with several unique, user-friendly features to simplify operation. As on the previously released Sanctuary S-14 and S-24 mixers, Peavey-exclusive technologies such as Automix™, Auto Delay™ and Mid-Morph™ EQ allow any church leader or layperson to use this mixer with confidence.

On the S-32, channels 1-24 can be sent to three subgroups—Solo, Choir and Music—while channels 25-32 have a fourth subgroup option that engages the exclusive Automix function. In addition, there are eight programmable Mute groups that can be utilized to silence groups of instruments, vocalists or other audio sources. All 32 channels include high, low, mid-frequency and Mid-Morph equalization, and all have direct outputs. The stereo line channels (21/22 and 23/24) simplify patching with three stereo inputs each and dual stereo gain trim controls, and they can accommodate split-accompaniment audio tracks or full stereo playback. The Monitor Blend control allows any mix of the left and right channels to be sent to the monitors.

The S-32 features a sophisticated digital effects processing section with a complete library of contemporary effects. The powerful DSP functions also serve many of the S-32’s outputs; for example, you can program crossovers, equalization (graphic or parametric), compression/limiting and delays. The patent-pending Auto Delay toolset simplifies setting speaker delays for balcony, overflow seating or nursery areas. A built-in USB output can stream audio directly to a computer for digital recording and playback.

Automix is an automatic mixing function that will adjust microphones input levels automatically, turning down unused or low priority inputs to give dominance to the main microphone; the Mid-Morph equalizer is actually two EQ controls in one, pulling out low-mid frequencies that muddy the sound when the knob is cut and shifting to an upper-range frequency boost that brightens the vocal range.

Features

  • 28 XLR mic and ¼" line inputs
  • Eight Automix™ channels with soft-knee compression
  • Programmable mute system
  • Four-band EQ one featuring patent-pending Mid-Morph™
  • Award-winning Feedback Ferret® circuitry
  • Twenty-eight balanced XLR mic inputs
  • Two stereo channels, each with three sets of switchable inputs
  • Inserts on all mono channels
  • Direct outputs on all channels
  • USB connectivity (Mac and PC)
  • Digital processing with Left/Right output featuring delay, EQ and dynamics
  • Two additional digital processors—local and remote—featuring delay, EQ and dynamics
  • Four monitor outputs
  • Two effects buses
  • Clip LEDs monitor the entire signal path for clipping
  • Variable low cut filter

Specifications
Operating Levels
Mic Input Sensitivity -16 to +20 dBu
Line Input Sensitivity +4 to +36 dBu
Output Level (nom./max.) +4 dBu / +22 dBu
Gain
Mic Input 80 dB
Line Input 60 dB
 
Frequency Response (+0/-1dB) 20 Hz–20 kHz
THD @ 20Hz–20kHz < 0.05%
CMRR @ 1 kHz 70 dB
Hum and Noise
Mic EIN -129 dBu
Residual Noise - Main -97 dBu (101 dB S/N)
Residual Noise - Channel Out -90 dBu (94 dB S/N)
Connection Impedances
Mic Inputs 2.2 kΩ
Line Inputs 10 kΩ
Outputs 600 Ω
Equalization
Max Boost/Cut ± 15 dB
Stereo EQ Frequencies 70, 250, 4k, 10k Hz
Channel EQ Frequencies 70, 100, 225, 4k, 5k, 10k Hz
Ambience EQ Frequencies 70, 10k Hz
Metering
Meters 12-segment, (0 dB = +4 dBu)
Peak Indicator 2 dB below clipping
Physical
Dimensions (HxWxD) 23.5 x 109.2 x 59.7 cm (9.25" x 43.0" x 23.5")
Weight 19.3 kg (42.5 lbs)
Purchasing
For pricing options and packages, contact us at
757.498.6118 Ext - 109, Or
Sanctuary Series Mixers