Loyola Enterprises

A veteran and minority owned SDB Certified Business.

DBX















DBX 376 Processor


757.498.6118 Ext - 109DBX 376 Processor - Call for pricing - Tube Mic Preamp

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PDFDBX 376 Processor Cut Sheet (pdf)

PDFDBX 376 Processor Manual (pdf)


IT’S TIME TO CHANGE THE CHANNEL! The standard of excellence for channel strip processors has just been raised once again. From the world leader in digital signal processing comes the new 376 Tube Channel Processor with digital output capabilities. dbx® Professional Products has been paving the way for audio excellence for more than 25 years, and with the creation of the 376, the drive continues. The 376 has taken the essential tools needed for channel strip processors and has greatly added to the feature list, making it an all inclusive toolbox that offers all of the effects required. With an effect menu list that includes such standard features as: a tube preamp section, 3-Band parametric EQ section, Compressor, De-Esser and digital outputs, the 376 is the perfect companion piece for recording and tracking vocals and mic’d applications in the analog and digital domain.

The 376 Tube Channel Strip w/Digital Output is the latest addition to the Silver Series family. The 376 puts the best of both worlds into one affordable package by combining the warmth of the vacuum tube, with the proprietary dbx Type IV conversion system. The 376 boasts many of the same features as other products in the Silver Series, such as +48V phantom power, a phase invert switch, and low cut filtering. In addition, the 376 also offers digital output capabilities in both AES/EBU, and S/PDIF formats as standard features. The high impedance, ¼" instrument input located on the front panel, as well as the mic/line switch, and 20 dB pad show their dedication to providing convenience in the studio. The LED meters provide a clear and concise visual of the signal processing at a glance. The rear panel includes both mic and line inputs and outputs, word clock sync input and output, insertion jack and digital outputs. Add selectable sampling rates of 44.1 kHz, 48 kHz, 88.2 kHz, or 96 kHz; selectable dithering and noise shaping; and separate analog and digital output controls to this already impressive list of features, and you’ll agree that the 376 lives up to the uncompromising standards of dbx Professional Products.

Features

  • 200V tube plate voltage
  • Selectable mic/line switch
  • +48 Volt phantom power
  • 3-Band Parametric EQ
  • Compressor and De-Esser
  • Front panel instrument input
  • Drive meter LEDs
  • Threshold and De-Esser meters
  • 8 segment analog or digital meter
  • Type IV® conversion system
  • Selectable sampling rate (96, 88.2, 48, 44.1kHz)
  • 24, 20 and 16 bit wordlengths
  • AES/EBU and S/PDIF digital outputs
  • Selectable dither and noise-shaping algorithms
  • Word clock sync input and output

Specifications
Microphone Input
Connector Female XLR Pin 2 Hot
Type Electronically balanced/unbalanced
Impedance 330 Ω
Max. Input Level -9 dBu or +11 dBu with 20 dB pad engaged
CMRR >40 dB, typ 55 dB
Mic EIN typ. -120 dBu with a 150 Ω source load, 20 Hz to 20 kHz BW
Line Input (Rear Panel)
Connector TRS ¼" Jack
Type Electronically balanced/unbalanced
Impedance (bal./unbal.) 40 kΩ / 20 kΩ
Max. Input Level +21 dBu
CMRR >40 dB, typ 55 dB
Gain (Drive Control) -15 dB to +15 dB
Instrument Input (Front Panel)
Connector TS ¼" Jack
Type Unbalanced
Impedance 470 Ω
Max. Input Level +21 dBu
Analog Outputs
Connector Male XLR Pin 2 Hot and TRS ¼"
Type Servo-balanced/unbalanced
Impedance (bal./unbal.) 120 Ω / 60 Ω
Max. Output Level >+21 dBu, >+20 dBm (into a 600 Ω load)
Insert
Connector TRS ¼"
Type Unbalanced
Impedance (SEND/RETURN) 100 Ω / 20 kΩ
Digital Outputs
Connectors XLR for AES/EBU; RCA for S/PDIF
Impedance (XLR/RCA) 110 Ω / 75 Ω
Word Sync Input/Output
Connectors BNC
Input Impedance 75 Ω terminated by internal jumper
Input 96, 88.2, 48 or 44.1 kHz word clock
Output 96, 88.2, 48 or 44.1 kHz word clock
System Performance
DRIVE Control Range +30 dB to +60 dB for Mic Input;
-15 dB to +15 dB for Line and Instrument Inputs
LEVEL Control Range
(analog and digital)
-20 dB to +20 dB
LINE selects between microphone and line inputs
Phantom Power +48 V
PAD 20 dB pad
PHASE Reverse pins 2 and 3 of the microphone input XLR
LOW CUT 75 Hz, 12 dB/octave high pass filter
Analog Frequency Response <10 Hz to 75 kHz
THD+Noise @ 1 kHz 0.35% typical at +4 dBu out, 40 dB gain
Equalizer
LOW Frequency 80 Hz, shelving filter
HIGH Frequency 12 kHz, shelving filter
MID Frequency Sweepable from 100 Hz to 8 kHz, bandwidth 1.5 octaves
Gain (all bands) Sweepable from -15 to +15 dB
Compressor
Threshold Range -40 dBu to +20 dBu
Threshold Characteristic Selectable OverEasy or Hard Knee
Compression Ratio Variable; 1:1 to Infinity:1; 60 dB max. Compression
Attack Time Program-dependent; Typically 5 ms (SLOW disabled),
15 ms (SLOW enabled) for 15 dB Gain Reduction
Release Time Program-dependent; Typically 50 dB/sec (SLOW disabled),
8 dB/sec (SLOW enabled)
De-Esser
Characteristic Wideband gain reduction
Frequency Range 800 Hz to 10 kHz High Pass
Release Time 12 dB/octave program-dependent; approximately 1 ms/dB
Analog to Digital Conversion
Type dbx Type IV™ A/D Conversion System
Sample Rate 96, 88.2, 48, or 44.1 kHz selectable
Wordlength 24, 20, or 16 bit selectable
Dither Type TPDF, SNR², or none
Noise Shape Shape 1, Shape 2, or none
Output Format S/PDIF or AES/EBU
Convertor Dynamic Range 107 dB typical, A-weighted, 22 kHz bandwidth
Power Supply
Operating Voltage DO: 120 VAC 60 Hz, 100 VAC 50/60 Hz
EU: 230 VAC 50/60 Hz
Power Requirements 35 Watts
Purchasing
For pricing options and packages, contact us at
757.498.6118 Ext - 109, Or